The offices and performance spaces of American Blues Theater are located on the stolen lands of the Council of the Three Fires: the Odawa, Ojibwe, and Potawatomi Nations, and the Illinois Confederacy: the Peoria and Kaskaskia Nations.

Many other nations including the Myaamia, Wea, Ho-Chunk, Menominee, Thakiwaki, Meskwaki, Kiikaapoi, and Mascouten peoples also call this region home. This land has long been a center for Indigenous people to gather, trade, and maintain kinship ties.

Today, Chicago is home to one of the largest urban American Indian communities in the United States, and the country’s oldest urban-based Native membership community center, the American Indian Center Chicago (AIC). 

American Blues Theater makes this acknowledgement as part of our commitment to dismantling the ongoing legacies of settler colonialism.

To learn more about land acknowledgements visit
To learn more about & engage with the American Indian Center Chicago, visit

To learn more about the map, visit


We gather today, in an effort to create art, in a new digital format, using equipment and high-speed internet not available in many Indigenous communities. This technology, which has now become central to our daily lives, leaves a significant footprint and contributes to changing climates that disproportionately affect Indigenous people. Although we are here, together, virtually – separated by distance, in different geographical locations – collectively, we all sit on Indigenous land. Land once occupied and inhabited by hundreds of Native tribes; land stolen from these Indigenous people by European settlers. The genocide and forced removal of Indigenous people from these lands is a history that must be acknowledged, and the current struggles of Indigenous people must be brought to the forefront, so that their plight is never forgotten.

This digital land acknowledgement is inspired by the work of producer & artist Adrianne Wong. Learn more here.

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